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I learned how to bend high notes on that piece and “Serve You Right to Suffer.” I learned how to rock the rhythm section and make a harp solo like a giant saxophone on “First I Look at the Purse.” It was all laid out so clearly.
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Dick’s solo on “Cruisin’ for a Love” was the first 1st position solo I ever learned, and still in my opinion one of the best.
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I studied it very carefully–I learned all the rhythm parts and many of the solos on that record. Dick’s playing on that first record was something new, a basic, precise, powerful vocabulary that worked on all kinds of rock. So you really hear the definition between the two notes with your tongue blocking or. I had been playing for about three years when that record was released, and I had listened for hundreds of hours to Butterfield, Howlin’ Wolf, and Musselwhite, who of course were mainly exponents of blues, not rock. Learn Whammer Jammer today - harmonica monster rock classic. Geil Band, I was personally most influenced by the very first record on Atlantic in 1970. Of all the work Magic Dick did with the J. Both harp players and the general audience recognized that Dick was onto something new and different. His amped tone was deadly and very personal. He also upped the ante considerably where execution was concerned–in terms of both rhythmic and tonal precision, he set a new standard. His conception in 1970 included putting the harmonica into the rhythm section, a place it hadn’t previously been, where it could drive the band’s groove in new ways. Magic Dick did a lot to raise the game for harmonica players. The question for this book is, 'What does rock mean to harmonica players' This book is for harmonica players who have a basic grasp of the instrument and are looking to study the rock style in greater detail. “Whammer Jammer” is Dick’s best-known piece, but it’s not the only one that’s well worth listening to more than once. The blanket term 'rock' is used to describe a musical genre that covers over six decades of musical diversity. And Jason wouldn’t have played it if Dick hadn’t. The only version I know of that competes with this one is a jaw-dropping 18 minute live performance by Jason Ricci. Every harmonica player has listened to this piece, and most have attempted to play at least some of it. Whammer Jammer was the GR20 recorded direct to the sounds great that way. This was recorded with a room mic so you hear the natural string sound mixed with the synth. If you are new, the attic is a mythical place we used to hang out and enjoy great music and other. Here’s the GR 20’s alto sax sound I used for David Sanborn’s parts in Bowie’s Young American. The classic harmonica boogie blues played to perfection by the originator. Every weekday morning we pull a song out of the attic.